This movie version of the play will just about do. It has most of the virtues and most of the faults endemic to such ventures, but it exposes the latter less grossly than some. As Shylock Pacino succeeds as any good, experienced actor should, and Jeremy Irons is appallingly sad as Antonio, just as he promises to be in the opening line of the play. He cannot understand why he is so sad but the film all too insistently offers a complete explanation. Joseph Fiennes as Bassanio shows us why the Christians in this play are, on the whole, such an unlikeable lot. Lynn Collins as Portia looks as good as she ought to, and redeems some tiresome moments in the early scenes by being startlingly good and grave in the trial scene. Since the piece is set in Venice there is a lot of photography, and some of the results are indeed beautiful. The movie runs for 131 minutes and feels longer, partly no doubt because quite often nothing strictly relevant is actually happening - and certainly not because it includes boring quantities of Shakespeare's text.

LRB 6 January 2005 | PDF Download