By a happy chance I am reading The Count of Monte Cristo. It acclimatises one to the dramas and Oriental dreams which figure in the exhibition Constable to Delacroix: British Art and the French Romantics (at Tate Britain until 11 May). It makes it easier to relish the dramatics of Horace Vernet's Mazeppa, to see that there is more than nice observation of weather in Paul Huet's picture of a lonely rider, Storm at the End of the Day.

LRB 20 February 2003 | PDF Download