There were at least three Victorian ages, one of which, from around 1845 to 1861, might better be called Albertine. These were the years when the queen’s husband, Albert of Saxe-Coburg and Gotha, was largely responsible for setting the tone, the pace and the scope of the monarchy and so to some extent of the reign. Despite which, as a personality, he remained obscure. Caricatured in his lifetime by an alternately sycophantic and satirical press, in death the immense shadow that Victoria’s mourning cast over him and the whole of the latter part of the century blotted out the prince consort again. The gilded figure enshrined in the Hyde Park memorial gradually congealed into Lytton Strachey’s ‘impeccable waxwork’ and Albert, as an individual, was for some time lost to history.
LRB 23 February 2012 | PDF Download
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