George Clooney’s The Ides of March is a slow and modest political drama that often feels like a faster and better thriller. There’s no crime, just misbehaviour and deals and dangerous knowledge, but it generates quite a bit of the suspense and discomfort we associate with crime movies. We don’t want the truth of the story to be true, and we wish the characters would not act in the way they have already set about acting.

LRB 1 December 2011 | PDF Download