Younger Scottish writers seem to be preoccupied by gender. It is a theme crucial equally to Duncan McLean's novel Bunker Man and to Kathleen Jamie's poetry collection The Queen of Sheba. It is insistent in W.N. Herbert's poem 'Featherhood' and Janice Galloway's Foreign Parts. It bridges writing as different as the poetry of Carol Ann Duffy, Kate Clanchy or David Kinloch, and the fiction of Christopher Whyte or A.L. Kennedy. Some of these poets and novelists are wary of each other. Jamie recently refused to read with Irvine Welsh because of what she saw as the misogyny of one of his short stories. Yet even such wariness reinforces a sense that these issues are worth contesting.

LRB 21 August 1997 | PDF Download