In a contemporary review of The Renaissance in the Pall Mall Gazette, the critic Sidney Colvin wrote that 'the book is not one for any beginner to turn to in search of "information".' 'Information' was in inverted commas not because there were no facts or respectable opinions in the book, but because Pater did not seem to believe in information, as it was customarily understood in criticism of the arts. As most reviewers seemed to agree, he wasn't doing something new, he was doing something badly. 'In the matter of historical fact,' Denis Donoghue writes, joining in, as it were, 'Pater also took liberties, so many that it is a pity he did not derive more satisfaction from them.' But Pater was satisfied not by getting it wrong, but by not having to get it right. It was his style to affirm invention over accuracy and, indeed, satisfaction over argument.

LRB 24 August 1995 | PDF Download