They want him back. They always have, but now they want him more than ever: living in Rome for almost his entire career was one thing, posthumous residence in England is another. That the artist 'qui incame le XVIIe siècle français' should have become (as Olivier Bonfait's essay in the Paris catalogue describes him) 'un objet totalement "anglo-saxon" ' is seen as a source of national shame. Interviewed in Le Monde, Jacques Thuillier of the Collège de France complained that, 'à l'étranger', Poussin's reputation had been dulled if not sullied; the quatercentenary of his birth was an opportunity to clean and polish his image to its true lustre, to show the world that the artist was (in the words of Thuillier's colleague, Marc Fumaroli) 'at heart ever more loyal to that noble simplicity of form that Frenchmen in the 17th century were quick to recognise as one of the ... distinctive characteristics of their own kingdom'.

LRB 23 March 1995 | PDF Download