In the summer of 1913, Jacques Copeau, the French stage pioneer, who had just founded his Théâtre du Vieux Colombier in Paris, wrote to Duncan Grant asking him to prepare the costumes and design for an innovative production of Twelfth Night. Grant completed the commission, using fabrics from the Omega Workshop for the costumes, and went over to Paris the following February to attend rehearsals and install his work. While there he was taken to Picasso's studio by Gertrude Stein, a visit which led to him bringing Picasso some rolls of old wallpaper which he had found abandoned in his hotel room, so that Picasso could use them for his collages. Thus Blooms-bury played its part.

LRB 8 September 1994 | PDF Download