Love story and murder mystery, The Blue Afternoon is full of puzzles. First: why 'blue' afternoon? It's not just the afternoon, there are so many spots of blue throughout the novel it becomes a cyan wash. In the first few pages we are told that the sign outside the house designed by K.L. Fisher, architect, is small and blue; in her room there is a 'blue and yellow Gertrud Arndt rug'; she gets a powerful urge to swim in the 'overchlorinated blue' of her building's pool, where a woman sunbathes 'in a cobalt two-piece'; and, at the end of the book, we learn that Fischer 'loved too, once; my blue baby, Coleman'. Blue is there in all its hues: sky blue, baby blue, washed-out blue, cobalt, violet ... we can hardly doubt that something meaningful is intended. But what?

LRB 23 September 1993 | PDF Download