Few discussions of literary obscurity fail to come to a climax with a story written by Kipling in the early 1900s, 'Mrs Bathurst'. Conversely, most general critical treatments of the writer sooner or later brace themselves to try to explain what is going on in it. Excellent work has emerged from the process - Kipling can bring the best out of the good critic, and possibly the worst out of the bad. I don't, however, want to tackle the question of obscurity precisely in this interpretative way. I should like to suggest rather that the particular difficulties and originalities of this dark tale can (paradoxically) throw light on to what was happening to fiction in England in the 1890s and after: they can even tell us something about why and how the short story emerges from the slow dissolution of the Victorian novel.

LRB 10 January 1991 | PDF Download