Dickens's magical power over his readers has frequently expressed itself in cult objects. For Victorians, the most widely reproduced was probably Luke Fildes's elegiac picture, The Empty Chair. This image of the vacant authorial throne conveys a sense that there can be no successor to Dickens. Together with the irreparable loss, Fildes's confident entry into the sanctum sanctorum, the study in the chalet at Gad's Hill, confirmed the delusive intimacy which reading publics yearn to be reassured they enjoy with their idols. We were close to him, and he is gone, the painting says.

LRB 15 October 1987 | PDF Download