'Patrons are patrons,' a citizen of Florence wrote to the Grand Duke, Ferdinando de'Medici, in 1602: 'the patron is accountable to no one.' But what exactly was a patron in Florence or elsewhere in Renaissance Italy? Despite the existence of a large literature on art patronage, the question received few direct answers till the publication in 1981 of a book focused on England: Patronage in the Renaissance, edited by Guy Lytle and Stephen Orgel. Taking their cue from Lytle and Orgel, F.W. Kent and Patricia Simons have turned the proceedings of a conference held in Melbourne in 1983 into a valuable volume of essays on patronage in Renaissance Italy. What is particularly interesting about both collections is the fact that they discuss two kinds of patronage and, at least on occasion, the relations between them. The traditional investigation of artistic patronage has been juxtaposed with the study of 'social patronage' - the networks of 'friends of friends' familiar to social anthropologists (and indeed to classicists), but neglected till recently by historians of Italy.

LRB 15 October 1987 | PDF Download