If Eugenio Montale had never written a line of verse he would still have deserved his high honours merely on the basis of his critical prose. The product of a long life spent clearing the way for his poetry, it is critical prose of the best type: highly intelligent without making mysteries, wide-ranging without lapses into eclecticism or displays of pointless erudition, hard-bitten yet receptive, colloquial yet compressed. The only drawback is that it constitutes a difficult body of work to epitomise without falsifying.

LRB 17 February 1983 | PDF Download