Denis Donoghue begins, a little self-indulgently, by reprinting six short BBC talks on 'Words'. The excuse is that such radio talks offer a simple if incomplete model for Donoghue's conception of literary discourse: as an address to an invisible audience, or dialogue for ever aborted by the absence of a second party. Print, unlike radio, is silent. But the writer also seeks a 'communion' which is never achieved, and 'style' is his compensation for the lack, as 'culture is a compensation for the frustrations attendant upon biological life.'

LRB 4 March 1982 | PDF Download